HOW TO RECREATE YOUR OWN ART (OR NOT)

How to recreate your own art? As I stepped into my art studio last week I realised what an unusually long period of time it had been since I had picked up a brush, mixed some paint or used my scissors. It had been almost two whole months. So I must admit I felt very out of practice and a little nervous as well. That’s why I decided to give myself something of a break and start of easy. Elaborating on some of my earlier works instead of wanting myself to create something new and unique immediately. This blog is about how I wanted to recreate my own art. How I failed miserably the first time and how I managed to succeed in the end.

WHY WOULD YOU WANT TO RECREATE YOUR OWN ART IN THE FIRST PLACE?

There are a couple of reasons why as an artist you would like to recreate your own art:

  • You want to get back in shape after a long studio break and decide you want to elaborate on some of your earlier works.
  • You’re quite fascinated by some of your earlier works and want to explore where you can take it in terms of theme, colour schemes, subject or size.
  • You feel like you’re onto something with these artworks and want to know what it is exactly.
  • The artworks themselves ‘ask’ for more. Like they are part of something bigger, or something different.

WHY I WANTED IT

In my case it was a combination of all the reasons above.

First, like I said, I wanted to give myself a break and ease into making art again after a long break.

how to recreate your own art: my botanical abstracts on which I wanted to elaborate
My botanical abstracts (summer 2020)

Second, I wanted to explore where I could take my botanical abstracts in terms of art practice. Because ever since I painted them last summer I was fascinated by them. Not only by their final results but also and especially by how they came together. They were the results of the most care free art practice I had experienced so far and I loved everything about them.

Third, I wanted to discover what it was that made them so unique. Because care free art is the best. But if you can’t remember what it was you did or aren’t able to do it again then it’s just luck. Or so did I feel at least.

Fourth and final, I also felt the artworks asked for more. Like they were supposed to become part of a larger family of artworks. I already fulfilled their wish last year by making botanical sculptures. But they were very convincing: they wanted children of their own. And if art is speaking to you like that, the only thing you can do as an artist is to oblige.

how to recreate your own art: botanical sculptures to go with the botanical abstract paintings

HOW TO FAIL AT RECREATING YOUR OWN ART

So I got to work feeling quite confident. And I failed miserably. After six paintings I already knew I was heading in a totally different direction. But I wanted to use up my paints and keep on trying so I kept on working until I had twelve paintings. Twelve paintings that had absolutely nothing to do with the works I wanted them to resemble. The colours where off, the compositions didn’t work and I ended up feeling very frustrated that evening.

how to not recreate your own art: this is what I cooked up when I wasn't paying attention

The next morning at breakfast we talked about it and how I didn’t feel very motivated to get back in the studio. Because, well, I couldn’t even make something I had already made before. What kind of complete loser artist was I?! But as we were talking about it, it became clear that I just hadn’t done my research properly. Using the colour theory by Johannes Itten we analysed the new paintings and compared them to the earlier works. We concluded:

  • The colour schemes of the earlier works was tertiary, while the colour schemes of the new paintings was secondary.
  • Furthermore, the tones in the earlier works were more grayed out, while the tones in the new paintings were more saturated.
  • Composition wise the earlier works were more like complex collages with multiple layers, while the new paintings were much simpler with only two layers.

These three factors resulted in something completely different! So I had to get back to the drawing board. The frustration had grown into eagerness to get it right this time!

HOW TO SUCCEED AT RECREATING YOUR OWN ART.

This time I really looked at my earlier works: what colour combinations did I use? What composition choices did I make? Not taking anything for granted but really trying to understand my own work, my choices and my techniques.

After that I started mixing new colours. I used a lot of complementary colours to create the grey tones and tertiary colours. After that I decided not to just start painting but to sketch the compositions first. After that I coloured them in with my new colours and finally I got my results!

THE ART OF ELABORATING

What I’ve learned in the process of elaboration on your own art is that you will really get to the core of your art practice. It just won’t do to try to recreate things without really understanding them. Knowing what is going on with them. Elaborating on your art will give you such valuable insights into your own work I would highly recommend it to any artist!

FIND THE SPECIAL TECHNIQUES THAT MAKE YOUR ART UNIQUE

Last month I wrote about how to find your signature style. And though I still feel that’s a blog post worth reading I would like to add something to it. Something about finding the special techniques that make your art unique. It may be easier to find those as it is to find your signature style. While your special techniques will definitely point you in the right direction!

WHAT MY SPECIAL TECHNIQUES ARE

Cutting

Cutting may not be a special technique but it is a talent. I like to think I am a cutting pro. With my ancient scissors I even get through extra thick oil paint paper so that’s saying something. Maybe the special technique lies more in the choices I make while I am cutting. Where I always choose to cut my own drawings following their lines meticulously I cut my magazines and books differently.

You can see the difference below: magazine photographs and botanical shapes from books I always cut out with a small white space around them. There is no deep meaning behind this (I am sorry). But I have done this for as long as I can remember. (I am going to suppress the urge to tell you everything about all the collages I made as a child. And how I was always meant to become a collage maker, because seriously, you’ve probably read it all hundreds of times before).

Cut outs of my ink drawings:
special techniques that make your art unique mine is cutting
cut outs of ink drawings by the fran collage artist 2021
Cut outs of magazines and books:
special techniques that make your art unique mine is cutting
cut outs of magazines and books soon to become collages by the fran collage artist 2021
Composition making

Besides cutting there’s composition making. I like to think I am a pro at that as well. The best part of that is that I am not even judging with my eyes. I always make compositions sitting or crouching down. When a composition is ready my body tells me by standing up. The only thing I really have to do is to listen. And to practice my squats, because after 8 hours in the studio my legs get tired and my body doesn’t really care about compositions anymore… So yes, I use my eyes, but they feel more like a tool than like a judge.

If I had put one and two together I could have figured out my signature style way earlier. But then again, you have to be ready to find your style. Otherwise it will feel way to easy and lazy. Why’s that?

Time lapse cutting up paper

SPECIAL TECHNIQUES OR TALENTS?

I feel an artist’s special techniques are closely linked to their specific talents. As with mine (cutting and composition). I think it kind of works like this: you have a certain talent but you’re not aware of it (it usually goes like this with talents). Because it is a talent you like to do it, especially when you’re young and you just like to do what you like. So you keep on enjoying your talent and keep perfecting it out of sheer joy but you do not see it as something others work very hard for.

Talents are for lazy people, right?

Then you get older and you want things to be harder or you want to learn new and difficult skills and techniques, you see other people doing. Especially when you train to be an artist these kind of things can happen because you get inspired by other artists and want to be like them or want to make art like their art. Maybe you even stop using your talent for a while. Because it just seems too easy and too lazy to be just cutting things up while others are making the most amazing oil pastel drawings…

And then you hit a wall. That usually happens when you’re very tired, very frustrated, very unhappy or all of them at once. For me it happened when I was really very tired. You hit a wall and you lose purpose. Or you lose the joy in creating. What’s vital when you hit a wall is that you let it hit you. Don’t crawl back and change directions. Just let yourself crash into that wall and feel all the bricks crippling your motivation. Because once you have really felt that deep frustration and emptiness you will allow your talent to come back to you. When there is no energy for anything else, your talent will come to save the day. Because your talent does not cost you any energy. So it’s the only thing you will have the strength for.

Hit that wall!

Let it happen. Let is find you. Your talent and your special techniques. Let your talent bring you back your energy and your joy. And let me assure you: once you’ve found the immense childlike joy of working with your talent your grown up side will NEVER accuse it of being easy and lazy again. It will cherish the hell out of it and never want to be doing anything else!

HOW YOU CAN’T COPY SPECIAL TECHNIQUES

Many artists don’t like sharing their special techniques or their process. They are afraid people will steal or copy them. I am not afraid of that. Simply because I believe you cannot steal or copy someone’s special talent. There may be artists or children out there that can cut as well as I. Or that has the same eye (or body) for composition. I just know that I am the only one combining the two as I am doing now. So please, don’t worry about sharing your talents and your techniques. It is so rewarding for people who love your art to see, hear and learn more about your practice! It really gives your art an extra dimension. Like how I want my scissors.

HOW I WANT MY SCISSORS

Some people are very strict about how they want their coffee. I am not one of those people. I drink my coffee black, but I won’t decline a good cappuccino or even a strong espresso with a slice of chocolate cake. The again, I am very strict about how I want my scissors. To be precise: I want them upside down, pointy and small.

I very much feel scissors are designed the wrong way around actually. Because when you use your scissors upside down their agility is way better. It also makes you able to cut very tight corners. Furthermore I can only work with scissors that have sharp points. I am not even sure what’s the purpose of scissors with rounded of points? They always leave a little tear in the paper and by doing so making it impossible to cut a tight corner. Lastly, my scissors need to be small. I have very small hands (or so I have been told…) so my scissors need to be tiny as well. I can’t work with large (e.g. ‘normal sized’) scissors because I can’t cut

So, long story short, my special cutting techniques are made possible by small, sharp, pointy scissors that can easily be used upside down.

SO WHAT ARE YOUR TALENTS?

What about you? Have you already found your special techniques? Or are you hiding your talent away under assumptions of laziness? What is it that comes naturally? What things do not cost you any energy? I would love to hear from you!

ARTIST SIGNATURE STYLE FOUND AND HOW I DID IT

On the brink of 2021 I found my artist signature style: colourful collages with lots of layers and playful compositions. After two years of fiercely experimenting with everything I could lay my hands on it suddenly stroke. I am supposed to make what comes naturally!

my artist signature style that I found on the brink of 2021: colourful collages
my artist signature style that I found on the brink of 2021: colourful collages
my artist signature style that I found on the brink of 2021: colourful collages

YOUR ARTIST SIGNATURE USUALLY COMES NATURALLY

Colourful collages are always sneaking up on me. When I’m taking a day off, when I am abroad during a summer holiday, when I am on a train… If I have some scissors with me and some paper they will emerge from my hands even if I’m absent minded.

me with my favourite tool: my ancient scissors - the fran 2021
colour coded botanical shapes by the fran 2021
old art cut up to make new collages by the fran 2021

HOW I FOUND MY ARTIST SIGNATURE

During the last weeks of 2020 I was practically exhausted. A week earlier I moved into my new art studio and my husband had just told me that he also wanted to move to a new home. And I was like: are you kidding me? Can a person just enjoy one week in her life without any drastic changes? Apparently not. Even so I kept on going to my studio every morning. Not expecting anything extraordinary to happen. But just to be surrounded by my art. Bracing myself for everything that was about to change in 2021.

After two weeks I found myself making collages. And it escalated quickly. Within a week I made 45 of them and at first I really didn’t know what hit me! Wasn’t I tired of 2020? Wasn’t I trying to save my energy for all those things my husband cooked up? Apparently I was! And apparently I needed to make collages to feel energized and ready again.

That’s how it goes apparently: you can’t force your artist signature style to happen. Neither can you actively search for it. The only thing you can do is to make art like a maniac and it will find you eventually. Maybe I do need to add the tip ‘notice what you want to to/make when you’re exhausted and need a break’ to my earlier blog post about How to find your signature style as an artist.

2021: BRING IT ON!

So here we are: from now on I will make colourful collages with hand cut botanical shapes. And no virus or lockdown or social distancing or husband with life changing plans can stop me.

artist signature: colourful collages by the fran visual artist 2021
artist signature: handcut botanical shapes  by the fran visual artist 2021
artist signature style: colourful collages in the studio by the fran visual artist 2021

ABOUT BEARING FRUIT + HOW TO ENJOY ART DURING LOCKDOWN

If you want to enjoy art from home during lockdown you can now re-visit my online exhibit ‘Bearing fruit in Catalonia’. It was live on my homepage from 1/10 until 31/12. But to keep it available I have decided to make it into a blog post. So you can enjoy it during the current lockdown.

Bearing fruit in Catalonia

Artist: The Fran

This exhibition was live from 1/10/2020 until 31/12/2020

Drawings and paintings featured in this online exhibition are all available for purchase. Please contact me if you wish to know more.

Welcome to Bearing fruit in Catalonia:

Bearing fruit in Catalonia

bearing fruit in catalonia - art drying in the studio during my art residency in el turros
bearing fruit in catalonia - the fran in her art studio
ARTIST RESIDENCY

In July 2019 I enjoyed a artist residency near Gerona, Catalonia. I stayed at an old hacienda on the slope of a green hill and worked in a old but spacious outside shed. I brought all of my art supplies: ink, markers, oil, paper and large canvasses. But I didn’t brought a plan. I wanted my work to emerge out of me being there, connecting with the land and the environment.

bearing fruit in catalonia - fig drawing by the fran visual artist 2019

During one of the very scary walks downhill (I can’t see depth because of a ‘lazy’ eye) towards the village I found an apricot on the path. And I was like: what is this perfectly fine apricot doing on the ground? There was only one explanation possible: there had to be a tree. And there was. I was in awe! Apricots are one of my very favourite summer fruits but the ones in the supermarkets back home in The Netherlands are often very mushy or grainy. This one was fresh and sweet and smooth. And still it had been laying on the ground!

That’s when I started drawing:

bearing fruit in catalonia - cherry drawing by the fran visual artist 2019
DRAWN TO FRUIT

The first results were large fruit drawings exploring the different Mediterranean fruits. I wanted them to be the center of attention. I was so drawn to them it was like they had their own gravitational pull. In the end some of them indeed ended up in space:

After those drawings I immediately started painting them on large canvasses. I worked simultaneously on all nine and mixed very large amounts of every colour I intended to use.

The results from three weeks of painting:

bearing fruit in catalonia - art studio during art residency
LAST WEEK IN INK

The last week of my artist residency I couldn’t proceed on working on my large fruits. I had already stretched my possibilities by mixing my oils with white spirit to enhance the drying time to keep working on them for as long as I could. But the last week I had to let them be so they could dry. That’s when I started drawing again. This time with black ink. Processing all the street scenes and plants and trees in the wild I soaked in during those three weeks:

bearing fruit in catalonia - the fran in barcelona 2019
BARCELONA X THE FRAN

The last weekend of my stay I decided to visit Barcelona and the Picasso Museum. During that visit I became enthralled with Picasso’s apparent drive to not rest before he had explored every angle of his subject. That’s when I revisited my fruit drawings and started redoing them in ink:

bearing fruit in catalonia - lemon ink drawing by the fran visual artist 2019

Back home I reckoned it wasn’t only art I brought back with me. I felt a difference in my artistic approach as well. I explore different perspectives, aim to understand my subjects on a more abstract level and from time to time I intentionally let them go to be able to come back to them again. Like I did last summer by revisiting the street scene and plant ink drawings from 2019 and turning them into colourful oil pastel drawings:

REVISITING THE LARGE FRUITS IN THE SUMMER OF 2020:

In these two art talks I tell you about how I had to let these paintings go in the autumn of 2019 (because I hated them that much!). And about revisiting them in the summer of 2020 and making them mine again.

So it just goes to show: to be able to bear fruit you may just have to let go of your creations once in a while. Let them live a life of their own, let them grow on you (or not) and to develop the courage to kill (or alter) your darlings.

Thank you for visiting my online exhibition Bearing fruit in Catalonia.

If you would like to share your thoughts on these works, I would love to hear from you.

For more information about the this series you can read and watch more:

LOCKDOWN ART: HOW TO MAKE THE BEST OF IT AS AN ARTIST

Lockdown. Not the happiest of times for many of us artists. Cancelled art shows, closed down galleries, feeling blue or stressed out because of everything that is going on. No, lockdown doesn’t seem like the most inspirational of times when it comes to art. But! For me it has proved to be a very productive time. With little to no distractions I have been able to make several new art series during the first and second lockdown.

lockdown art in my studio the fran visual artist 2020

WHY LOCKDOWN WAS A FLY BY FOR ME

I must admit: I am an introvert at heart. So being alone and being at home really wasn’t a struggle for me at all. So I had that going for me. Also: I was able to access my studio during both lockdowns. I am a total loser when it comes to making art at home. Something with having too many distractions like the laundry waiting to be done or the kitchen waiting to be cleaned…) So having access to my studio turned out to be a life savor. Or art savor.

THE ART I MADE DURING LOCKDOWN

As I said: I made several new series of art during the two lockdowns. I’ve listed them below with the correct links for you to check them out. Some of them aren’t online yet, because when I am in an art making spree I tend to neglect my website…

lockdown art in my studio the fran visual artist 2020

LOCKDOWN ART: COSY CORNERS

Let me just highlight one of the art series I made during lockdown: my Cosy Corners.

I started working on these Cosy corners during the second COVID lockdown. It had just turned autumn in The Netherlands and I wanted to express my love for the new season. Also, I wanted to share my introvert view on lockdown. When being alone isn’t a struggle but a bliss and you are able to spend time surrounded by your plants or enjoy making some homegrown jam, lockdown isn’t very hard. It rather is a time for reflection. For enjoying everything that is still possible to do. And to give a little extra attention to the things at home you like to do best. Reading, planning the allotment for next year, making new art, watching a movie, taking a walk, preserving veggies.

So in essence these drawings are my introverted view on lockdown. They are not meant to sugar coat anything. Because I know very well how devastating the pandemic has been and still is for many of us. I merely thought there also ought to be an introverted take on things. Especially because I have experienced it way more popular to complain about not being able to do things and meet up with people. But when I replied to messages of support or questions about how am I coping, with: ‘I am doing great tbh, because I love the peace and quiet and I allow myself to be the recluse I actually always long to be’. Every single person replied with: ‘you know, so do I actually.’

So these Cosy Corners are also a celebration of introverts wherever they are. And whether they are ready to come out as such or not. I am an introvert and I am proud to be one!

WHAT TO EXPECT?

The current times are unpredictable so I am not sure what to expect art-wise. But I can say that I have definitively found my mojo when it comes to collages and mixed media artworks. So I think I can promise much more of that kind of works to come very soon. From January the 1rst I will be sharing new botanical collages on my Instagram account @art.bythefran . So if you would like to see daily updates be sure to follow me there.

For now I wish you all a very happy and healthy 2021. With art, friends, group immunity and vaccines! Stay safe and happy New Year’s Eve!

EXPANDING PORTFOLIO: MY NEW ART ONLINE

New art online alert! Because of my new art studio my portfolio is expanding rapidly. The last couple of months I wasn’t always able to keep up with my output. But last week I locked myself in a room with my laptop and vowed not to come out until my portfolio was up to date. And behold! I did it!

Check it out here.

AN EVER EXPANDING PORTFOLIO

Because of my new art studio and all the new possibilities to experiment with my portfolio grew substantially over the last couple of months. A series of new ink drawings. A series of small oil paintings on canvas boards. Two series of mixed media collages. A whole new project around wooden sculptures, lino prints and abstract paintings. A huge panorama painting with matching smaller studies on paper. And as we speak I am working on two emerging series of oil pastel drawings on paper. One with a seasonal theme and one with a ‘cosy corners’ theme.

So it was a lot. And since it’s still only me behind the scenes I couldn’t keep up with myself online – except for my Instagram account of course.

expanding portfolio: new art by the fran online
New online
expanding portfolio: new art by the fran online
Also new online

NEW SERIES OF ART ONLINE

So, what new art can you now enjoy online:

UNLOCKING MY EXPANDING PORTFOLIO

While working on expanding my online portfolio I also decided to give it an update. I have chosen to show highlights of every series in my portfolio. That way I hope it stays interesting to look at all those pieces of art. At the same time it gives you the opportunity to see my work evolve.

I have structured my portfolio chronologically. There are links to more information and more pictures after every highlighted series. And of course there is a contact button for if you’d like to know more or if you are interested in buying one or more works.

expanding portfolio: new art by the fran online
Season studies: new online
coming soon: cosy corners drawings by the fran visual artist 2020
Cosy corners drawings, coming soon

WHAT ARE YOUR THOUGHTS?

I would love to hear your thoughts on my expanding portfolio and on my work. I read in Navigating the Art World that as an early day artist you should avoid praise. Because it tells you exactly nothing. While I completely agree with that, that is the only thing you will ever get on social media. Nobody will ever tell you they hate your work for whatever reason. Or that it just isn’t good enough. Doesn’t move them. Or doesn’t do anything for them.

So I want to challenge you: please name ONE THING that you hate about my art in the comments. Or a thing that you feel really is missing. Or that you dislike. It would be so interesting for me and it would be the greatest feedback. It would be so much better than all those mindless likes. And mind you: I am not accusing my followers of being mindless. I am accusing social media itself as being completely mindless. That’s how it’s designed. So the people using it will have to work VERY hard not to become mindless themselves. ‘Nuff said! Would love to hear what you think!

AUTHENTICITY AND CONNECTION: THE ART OF LETTING GO

Currently I am in the retreating phase of one of my creative waves. That means I am contemplating my work, its themes, the things I am exploring and why. And just now I realised that I have been operating on a scale of authenticity and connection. And that maybe now the time has come for me to step out of that scale.

A scale of authenticity and connection?

What do I mean with a scale of authenticity and connection when it comes to my art practice? I feel like I am constantly balancing the authenticity of my work with how it will or won’t connect with others. Let me give you an example. When I come up with something to make I also immediately think about how others will react to it. And whether it may be defining me as something or someone to other people. As a result depending on how I feel I will choose to compromise the authenticity of my work. Or I will choose to push through with a sort of devil-may-care attitude.

I now feel that this doesn’t suit me no more. Neither ways: no pushing and no compromising or self-censuring my creativity.

authenticity and connection: no longer compromising my art practice - the fran visual artist 2020

My understanding of this scale within my work up until now

For the first time in my life I am being totally okay with being in this retreating phase. Contemplating, silent, processing. Being okay with it took it to a whole different level of contemplating. I started looking at my artistic practice and the way how I connect with my own work.

I now understand that I have been connecting with my work the same way as I have learned to bond with people as a child: co-dependently.

authenticity and connection: making large fruits just because I want to make them - the fran visual artist 2020

What is codependency?

Codependency is an unsafe attachment style adopted by children who cannot bond with their parents/caregivers in a healthy, loving way. Codependency makes you want to manipulate other’s opinions of you for your own good (your own sense of being loved). Rather than developing a sense of authentic self love and self respect. In essence: you need others to love you in order to be able to love yourself. And you will do anything to ensure they will. Even compromising yourself.

This of course is a recipe for disaster when it comes to developing a strong sense of self. And of self-expression. Because codependency leaves you in a place of constant worry. Worry about how others are perceiving you and whether they will still love you tomorrow.

new and familiar: large collage artwork by the fran visual artist 2020

The art of letting go

Now that I am healing from all kinds of unconstructive patterns I am able to discover those patterns in my artistic practice as well. Suggesting that my art exists on a scale of authenticity and connection is in a way deeply codependent. At the same time I understand that as an artist you’re not operating on an island. And that most of us actually do create art to feel connected. Whether it is with nature, with our inner world and/or with the souls of others). I now understand as well that the purpose of connection can never be the cause of compromising your authenticity. Because only from creating through that strong sense of authentic expression you will experience true connection.

Choose authenticity and connection will follow

So, from now on I will be practicing the art of letting go. Making art because I feel it wants to be made through me and subsequently letting it go. Allowing it to have its own journey once it’s out of my hands. Meeting and connecting with like minded souls, whoever that may be.

I will be winking at them from a distance, wishing them well while creating new art.

NEW ART IDEAS TO EXPERIMENT WITH

Autumn has really kicked in here in The Netherlands and that’s always the moment I get all these new art ideas to experiment with! In the short video below I tell you about them and I show you all my new sketches:

New art ideas to experiment with!

CURRENTLY WORKING ON: COLOUR STUDIES

I am currently working on my extra small colour studies in oil pastel. I started them because I really liked experimenting with this new medium. And because I wanted to try out different colour schemes in a low profile way. By cutting up old oil paintings on paper I created A5 sized ‘primed’ oil pastel paper to work on. My approach is to make four different colour studies of one composition. The compositions I’ve made are inspired by my trip to Morocco in 2016 and the film The Best Exotic Marigold hotel.

Another idea behind these extra small colour studies was that I could find out what colours I use all the time and what colours I use rarely. The reason I wanted to find out was because I knew I want to switch to more expensive oil pastels in the future. And by finding out what colours suit me I can buy them more mindfully.

But while I was working on these small studies new art ideas crept into my mind. I wanted to work on larger works again! Let me tell you: that’s the best feeling ever!

new art ideas extra small colour studies by the fran visual artist
Small colour studies
new art ideas extra small colour studies by the fran visual artist
Oil pastels on primed paper, A5
new art ideas extra small colour studies by the fran visual artist
One composition in different colour schemes

NEW ART IDEAS: SHETLAND PAINTINGS

The first new art idea came to me while watching Shetland, the BBC television series about D.I. Jimmy Perez on Shetland. I was totally enthralled by it (‘by him’ should be a statement a little closer to the truth, but hey, I am running an art business here, not an online dating website…). The seascapes, rock formations, island views from the sea. All those views were just breathtakingly beautiful.

And even though I am not a very big fan of great landscape or seascape paintings (…. work being the exception) I wanted nothing more than to paint them. So I started sketching while watching and I came up with a couple of ideas.

You can see the sketches in the video!

NEW ART IDEAS: ‘COSY CORNERS’

This idea actually isn’t as new as the other ones. I have been dreaming of painting ‘cosy corners’ since the worldwide pandemic. Maybe because we were forced to stay home, maybe because I wanted to show my love for those places in my own home. Sitting next to a window, underneath a large plant, watching the weather and the trees outside is my kind of happiness.

But back in March I didn’t think it original enough. I am always influenced by Henri Matisse, but this idea felt like straight from his mind or something. But it’s September now and the idea is still creeping back into my head every week. So I decided to surrender. Cosy corners, here I come!

Some base layers in oil
A3 sized backgrounds
Oil paint thinned with white spirit

NEW ART IDEAS: KITCHEN CORNERS WITH FOOD

Another idea, closely linked to those cosy corners is my wish to paint a series of kitchen corners with food. I have always had a fetish for food (I once had a food blog for about 3 years). I really love good food photography. So when I started scrolling through the old pictures I took for my food blog I was like: this is a goldmine!

So this is also definitely happening: a series of kitchen corners with cabinets, kitchen tables, jars with marmalade, home made lemonade and piles of pancakes! Can’t wait to paint these!

The first fifteen backgrounds on my studio floor. I’ve made 12 more since then but I don’t have any pictures yet.

AND NOW WHAT?

It’s been a while since I had this many ideas for new paintings! So I got a little bit confused about how to act… Bob said: just go with the flow. Work on all those ideas at once and let the work guide you. There is no deadline, there are no expectations. Just immerse yourself and enjoy it. Good advice. To be continued!

FOLLOW MY PROGRESS

In the meantime you can follow my progress on Instagram @art.bythefran or on my YouTube Channel The Fran Zone.

ART TALK: HOW I MAKE ART BEHIND THE SCENES

Last week I recorded an art talk about my XXL Fruits. You can watch it below or check out my YouTube Channel. Part 1 is about the Fruits in space. Part 2 is about the Fruits on earth. I hope you enjoy watching them!

Art Talk XXL Fruits – Part 1
Art Talk XXL Fruits – Part 2

ART TALK?

As you know I post my art on Instagram (@art.bythefran) but sometimes I feel like the context is missing. Like: what was my inspiration for the whole series and how did the artworks changed while I was painting them. Very often I start out with an idea and as I go along it changes into something different. You don’t see that when you just see end results. So that’s why I have started recording these short videos. To guide you through my artistic process and show you my art in real life, with me for scale haha!

THE INTENTIONS OF MY ART TALK

My intention is to keep recording these Art Talk-videos with every new series op paintings I finish. There’s so much going on behind the scenes in my art studio and I think it’s a shame not to tell you about it and show it to you. It really is about the process of making art. With all its unpredictability and serendipity.

first draft of plum in space summer 2019 in catalonia
First draft of Plum in space – summer 2019
second draft: plum on earth, autumn 2019 back home
Changed it into Plum on Earth – autumn 2019
art talk about how my art comes together: plum in space, oil on canvas by the fran, visual artist 2020
Added shadow and more texture in the plum
art talk about how my art comes together: plum in space, oil on canvas by the fran, visual artist 2020
Added colour and to the leaves
art talk about how my art comes together: plum in space, oil on canvas by the fran, visual artist 2020
Final alterations before discarding it – I really hated the painting at that moment – winter 2019
art talk about how my art comes together: plum in space, oil on canvas by the fran, visual artist 2020
Trying something new: making it a yellow plum – spring 2020
art talk about how my art comes together: plum in space, oil on canvas by the fran, visual artist 2020
Final painting: Yellow plum, back in space, summer 2020.

WHAT IT IS NOT

It’s not my intention to ‘explain’ my art or to put some sort of deep meaning into it during my art talk. I leave that up to the viewer, up to you. I strongly believe explaining art is killing it. Information is key but forced meaning means the death of it. I create art because it gives me freedom. I don’t want to force the viewers look in some direction. On the contrary! I would love you to come up with your own way of looking at it. Your way of viewing it within your personal or cultural art history.

ART CAN CHANGE YOUR LIFE – LET IT!

What would you say if I told you art can change your life for the better?

If you had told me this let’s say 10 years ago I would have frowned and probably made fun of you. Because I grew up in a family where art and creativity were merely small accessories to life. Not something to bother yourself with on a daily basis.

On top of that I had a really weird aunt who took me to the most boring museums you can ever think of as a child. So in stead of taking us to the pool during a heat wave, she dragged us through an open air museum. Leaving me and my sister wondering about whatever we did wrong to deserve that…

Long story short: me and art, it wasn’t a love at first sight.

But art didn’t give up on me. And one sunny day in spring 2010 it changed my life. Just like that.

THE DAY ART CHANGED MY LIFE

I visited the ‘From Matisse to Malevich’ exhibition at the Amsterdam Hermitage. It showed the developments in modern art from 1900-1930.

I saw Red Room by Matisse, I saw Woman in a Black Hat by Van Dongen, I saw Spring by Rouault.

And then there was Picasso.

Nothing more, nothing less.

Just Picasso, his women, and me. Experiencing the true soul elevating power of art.

There was no future, no past, only the artwork in the present. It connected me to the soul of art and the power of perspective. It was an invitation to look beyond, to be beyond.

That was it. That day art changed my life. My heart knew that day what my mind needed another 10 years to figure out: art is my purpose.

ART CAN CHANGE YOUR LIFE AS WELL

Art can also change your life. If you let it, it can capture you in the present moment. Letting all the worries about the past and the stress about the future disappear in an instant.

Art can connect you to the power of beauty and to your immense creative potential. And by doing so art will make you capable of not only making a difference in your own life but also on the grand scale of things.

Art is going to change the world.
Through you, through me, through us.

My heart knew that already on that sunny day in spring back in 2010. And now my mind and body are on board, ready to do the work.

What about your heart?

art can change your life - let it! how art became my purpose. by the fran, visual artist